Archive for the ‘Paintings’ Category

My artwork on Apple Homepage

November 13, 2008

mills-opening-019 http://homepage.mac.com/carlatsaunders/artwork/

Click on the above and check out two of my shows.

Hungfu Hill

March 5, 2008

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Small monkeys lash their tails,
watch with sharp round eyes
as I walk through the temple.

A poem in memory of Bill Wu

February 27, 2008

Colin and I went to China in May 2002. We were on one of the last cruises through the Three Gorges Passage. Our cruise took us from Chongquing to Wuhan. We saw the construction site of the hydroelectric dam which has transformed the valley into a deep, current less reservoir. Eight thousand archaeological sites have disappeared. More than a million people were moved from their homes. 28,000 acres of farmland and around 20 cities and towns have been submerged. I wrote the poem when I came home.

The Yangtze: Three Gorges

Coiled with mist, the cliffs rise
half a mile into the sky.
Looking up, past the trackers’ path,
past the hanging coffins, past the caves,
past the stunted trees,
I see deep blue sky.
Rising Cloud Peak.
Sage Spring Peak.

The riverboat passes villages, orange groves,
fields of pink peach blossoms.
Tall limestone walls dwarf the town.

The river roars.
Winding narrowness,
shallow rapids,
dangerous whirlpools,
currents,
followed by quiet.

Head Rapid.
Chicken Wings.

Fish inscribed on White Crane Ridge:
two carp facing upstream,
one with a lotus sprig in his mouth,
mark ancient low-water levels.

On the road: barbers, plumbers, food sellers.
A welder creates jewelry with his blowtorch,
fired by a garden hose and a bottle of gasoline,
his foot pressing the bellows.

Under a red umbrella a woman sleeps,
sweet slices of watermelon by her side.
Children squat with a deck of cards.
Small groups of people eat noodles out of bowls.

Dressed in a tattered gown of silk
embroidered with dragons, an old man
sits near a persimmon tree.

All this will be underwater soon:
the temple with its wooden pavilions,
pagodas, loggias, reflecting pool,
the monkeys scampering among altars;
the storefronts, streets, houses, fields of rice.

Goddess Peak.
Witches’ Gorge.

What will happen to the Siberian cranes,
the white flag dolphin, the Chinese sturgeon,
the house tucked under a tree?
What will happen to the barbers, sellers, plumbers,
the little girl in yellow jelly shoes,
her mother selling Camel cigarettes?

In a home in Suzhou I saw this poem
on a piece of wood shaped like a banana leaf:

My mind-heart is like the reflection of the moon
in a deep pond on a snowy night
my creativity blooms like flowers
after the spring rain

The old towpath clings to the rockface, high
on the north side of the mountain.
Trackers pulling boats on the Yangtze
sing back and forth, strange chanting melodies.

Sad (for Linda)

February 27, 2008

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Ye Ye or Grandfather

February 23, 2008

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For centuries Chinese children have learned calligraphy by writing characters within boxes in order to understand their structure and proportions. When I was in China I bought children’s text books on calligraphy. Each work page shows a correctly drawn character. The children copy this in a graph under an image illustrating the word. The characters luck, long life and grandfather are represented here. The two dimensional chart and stencils give a nice balance to the three dimensional portrait. The image came from one of my photographs of a farmer we met while walking in the countryside. He had five children. Later we learned he had seven. Two were girls but they didn’t count.

‘Grandfather’ mixed media on canvas 36″x26″

Cry

February 19, 2008

Cry

I chose this painting today because this is how I feel. I have a new computer and all my images have changed color! I should just paint and leave the computer to my son. When I ask him how to blog he gives me a lot of help and then he says, ” just do it” so I’m going to give blogging a try. My goal is to enter a blog once a week so check in and see what happens.

‘Cry’ oil/acrylic on canvas 36″x26″ 2006

Mills College Art Museum

May 30, 2007

Mills College Exhibition

‘Fragments, Fadings and Feelings’, an exhibition of transparent panels echoes the feeling tone of China’s calligraphy. I abstracted the traditional forms to create a more exuberant, robust less restrictive impression of modern China. September 2006.

Miles and Hathor

May 18, 2007

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The Guardians

May 9, 2007

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Here is a detail of one of the large paintings I did when I came back from Egypt. These rams are lined up at the entrance to the Temple of Karnak.

Egypt

May 9, 2007

My recent paintings introduce light boxes set within canvas structures to highlight artwork inspired by sketches done during a recent trip to Egypt. I use hieroglyphics, line drawings of symbolic animals and abstract color shapes, to capture the power and scale of Egypt’s ancient monuments. At the same time, my work evokes the ethereal beauty of the Pharaoh’s profoundly held belief in an eternal after life. 2450 BC Mixed media on canvas and mulberry paper 54” x 84” 2006

2450 BC